ALL ABOUT EVE
VCE EAL
Eve doesn’t
become what she wants to be in the end; instead she is known to be what she
truly is.
The film “All about Eve” directed by Joseph L Mankiewiczs
shows an ambitious actress, Eve’s journey of obtaining a limited place in the
theatre world. Eve Harrington does not become what she wants to be in the end,
instead, she is known to be what she truly is. Eve had strived to become a
younger version of Margo. However, she failed and in the process, revealing her
conniving true nature. Eve seeks for the acceptance in the inner circle,
however, in the end she is despised by them. In contrast to Eve’s desire for
power to control those around her, she is instead controlled by Addison. At the
final moments of the film, it is unmistakable that Eve failed to succeed in
gaining what she wished. What resulted instead was the exposure of her true
identity.
Eve had “one wish, one prayer, one dream”, to become just
like Margo. Instead she only succeeds in being a “carbon copy you read when you
can't find the original”, her true self is uncovered not as someone unique like
Margo, but as a copycat. This is evident by Eve “Studying me [Margo] as if - as
if I were a play or a set of blueprints! How I walk, talk, think, eat, and sleep!”
While Margo is “A great star, a true star”, something real and irreplaceable,
Eve is compared to as a “light”, something unnatural and disposable. The
director also shows this through the use of lighting, forcing Eve to disappear
under the endless flashing of lights from the camera. This insinuates that Eve
is just an image, a public façade to her fans; she is different from Margo,
whose admirers know her personally. It
is also evident that Eve can be easily substituted by the appearance of Phoebe
who displays Eve’s award, wearing Eve’s magnificent robe. Phoebe’s endless
reflection of herself on the mirror depicts the fact that there are many others
just like Eve. Unlike Margo, Eve is not special, she is replaceable. Moreover, Eve
also seeks to seduce Bill, evident by Bill’s remark “I ran into Eve on my way
upstairs; she told me you were dressing”, portraying how Eve tries to hinder
Margo and Bill’s relationship. However, her plot backfired and instead, she is viewed
as being a “louse”. With her true scheming nature revealed, Eve was unable to
succeed in becoming just like Margo.
In addition to following Margo’s footsteps, Eve also pursues
to be accepted into the inner circle. In the end, however, she is detested by
them. It is unmistakable that Eve sought after belonging to them. This is
displayed through her constant flattering and fabrications in order to gain
their sympathy and acceptance. Furthermore, Eve stays at the theatre “night
after night”, proving her deep desire to belong to the theatre group. Yet, in
the final moments of the film, she is excluded by them. Eve ends up being
outside of their inner circle, perceived as a “little contemptible worm”. Though
Eve seeks for acceptance from the group, she is rejected as her manipulative,
two-faced character is uncovered to the others. At the end, Eve is shown to be
going back to her accommodation alone after the night of her victory, showing
that she does not have any friends to celebrate her success. She desperately
wanted to be part of the inner circle, but by choosing her career over friends,
she is left rejected and alienated by them.
Not only does Eve fail to be like Margo and belong to the
inner group, Eve is also unsuccessful in gaining power over her surrounding
peers. Initially, Eve aims to control those around her. This is evident by her
being an indispensable assistant to Margo, forcing Margo to be dependent on her
and as a result, enabling Margo to miss her reading for the audition. Eve’s
yearning to control is also seen by her threatening and blackmailing Karen into
giving her the part of Cora. However, while she longed to rule over her peers,
at the end, she is instead dominated by Addison. This is shown through Addison
forcing Eve to “belong to me” as reinforced by his harsh slap across her cheeks
and Eve’s obedience to Addison’s command to “Don't pick it up! Don't even put
your hand on it”. Addison’s action of slamming the door shut when Eve attempts
to get him out, are all indications of Eve being ruled by Addison. Furthermore,
the director uses film technique to show Addison’s control over Eve through the
shot where Addison is standing up, looking down on Eve as Eve, sitting down is
forced to look up to him. This illustrates the fact that at the end, Eve is
dwarfed by Addison’s power, opposing to Eve’s wish of controlling others.
In the end, Eve does not become what she wants to be, instead
her hidden motives and true colours are portrayed. Eve couldn’t upkeep her goal
of being unique as her true identity lies between following others. Instead of
being accepted by the inner circle, Eve is rejected by them as her true sly
nature slowly appears in the open. Eve fails to maintain her power over others
as her selfish nature allows her to be blackmailed and controlled by Addison. Eve
does not achieve her ambition; rather, she exposes what she truly is to
everyone.
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